Five Year Reunion delivers a powerful performance in under an hour of runtime, filled with exemplary writing and a multifaceted performance by Lynch.
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What it lacks in size, the exhibit deeply makes up for in character. The fifty pieces, picked out from over six-hundred entries, are cloaked in personality, thought, and clear consideration for art as a medium.
Colin Ebsworth masterfully weaves autobiographical threads of evangelicalism, f-ed up parents, and fate into a dynamic story.
Human Activity takes one of the darkest moments in Sydney’s recent history and creates something beautiful.
Ultimately, Ukraine Guernica is about artists. Not Ukrainian artists, but two white Australian artists.
Director Jeremy Jenkins and assistant director Hunter Shanahan have mercilessly cast seven shockingly funny performers that turn Noel Coward’s tight-lipped English comedy into a playground.
With a show where each night there is a new audience, a new reading, and a new storyline, the possibilities are necessarily endless.
Whether you’ve listened to the cast recording or never heard a moment of it before, this version of Wicked manages to feel new and exciting. Between the wonderful cast, enchanting effects, and well-timed pacing, Wicked offers audiences a truly magical night at the theatre.
Directed by Douglas Luciuk, Kittytown shows us you have to be a little different to survive when the world goes to shit.
Kasick’s point is simple: rather than scrutinising every exhibit to death, we need to take a step back and look at the big picture.