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art

Culture //

Impressionism: An intercontinental response to modernity

How an art movement became global.

April 12, 2021 Amelia Koen
Analysis //

Cancel culture in the art world

Whilst it is not the singular purpose of art, great artworks often share the quality of being able to authentically describe the world we live in.

March 28, 2021 Tiger Perkins
Features //

Stolen art on stolen land: Aboriginal art and copyright

In conversation with artists about the difficulties of protecting Indigenous Cultural and Intellectual Property.

March 21, 2021 Ranuka Tandan
Culture //

The embarrassing cost of crypto-art

On the pitfalls of attaching currency to digital art.

March 12, 2021 Chuyi Wang
Culture //

Connection and play at Parramatta Artist Run Initiative

Fei Gao talks about his work β€˜Is dad still not back?’, currently showing at Parramatta Artist Run Initiative.

March 7, 2021 Nandini Dhir
Culture //

Chez Chau

Honi takes a peek at the new Big Museum On Campus

November 20, 2020 Max Shanahan
Opinion //

Van Gogh Alive – and probably turning in his grave

What does an art exhibition look like without the art?

November 11, 2020 Fabian Robertson
Culture //

Dadaism and revolution: When nonsense makes sense

On the transgressive nature of Dadaism and the future of political art.

October 22, 2020 Amelia Koen
Culture //

Feminist art in the public eye

Winning hearts and minds can be as important as direct action.

October 22, 2020 Thomas Sargeant
Culture //

My magnum opus

Shania O'Brien has something to say about about the concept of great works.

March 22, 2020 Shania O'Brien

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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