Intertwining the digital and the tangible, Feminazi attempts to critique man-hating lesbians in a tongue-in-cheek manner, coming to the conclusion that intersectionality is necessary and nothing is as clear cut as it seems.
Thomas Weatherall’s writing and theatrical debut is heartbreaking, passionate and devastating.
The Italians is both grounded and surreal in presenting the Italo-Australian Sydney diaspora.
Joel Hillman and Charlie O’Grady felt complicit in a trainwreck.
Nakkiah Lui’s Kill the Messenger has been billed as a “game changer” for black theatre. The show centres around three stories which constitute a direct attack on institutional racism and its agents – including the Belvoir audience. Paul hangs himself to escape cancer, after being profiled and turned away from hospital on suspicion of…