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poetry

Creative, Perspective //

A Cerulean Sea of Queer Possibility

There is a peculiar loneliness that springs from a lack of experience, from vicarious living through screens and dreams.

October 5, 2021 Niamh Elliott-Brennan
Books, Culture //

Post-poetica

The stanzas that win, the themes that glow.

September 14, 2021 Ella Avni
Opinion, University //

David Verse Goliath: On USyd’s cuts to poetry

The University is failing to preserve its poetic history by way of education, and in doing so, it is failing to nourish the poets of tomorrow.

August 23, 2021 Amelia Raines
Creative, Women's Honi 2021 //

Women’s Honi poetry

"My love was from places of Tiny People."

August 21, 2021 Anya Doan and Jo Engelman
Creative //

The ripple not broken

Words by Tiger Perkins.

May 31, 2021 Tiger Perkins
Creative //

Childhood

Words by Benson Lilo Oto.

May 31, 2021 Benson Lilo Oto
Creative //

There is a softness

Words by Sophia Chakma Hill.

May 31, 2021 Sophia Chakma Hill
Creative //

Lonsdale Street

The moment like glass; the shards like regret.

March 22, 2021 Genevieve Couvret
Culture //

Sapphic fruit: clutching to queer interpretation in Goblin Market

A bite into the hidden subtext of a Victorian poem

March 15, 2021 Niamh Gallagher
Creative //

Forgive me body

Notes on colourism.

March 14, 2021 Rhian Mordaunt

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Copyright Honi Soit 2018.