We all have a memory of when we first drew the “Cool S”. It’s known by many names, but that’s…
Browsing: review
Written by and starring Sheanna Parker Russon, No Love Songs for Lady Basses tells the story of a singer who…
What does it take to get away with murder? In 1920s Chicago, it seems all you need is a good…
Oh Jung Min went on to explain that the tofu serves as a metaphor. “It takes a lot of effort to make, but it’s just as easy to break” —- finding continuity between the fragility of tofu, and the fragility of family.
Keating’s office has classical columns flanking a mahogany desk with expensive landscape paintings hanging on the walls. The setting accused the former PM of a great crime in modern politics, being ‘out of touch’.
The irreplicability of the show is perhaps its most remarkable aspect. The intimate audience is witness to an ephemeral display of emotion, invention and dialogue.
Tensions, political and personal alike, run high, and festering wounds thought to be healed are reopened. But what hurts more? Leaving, or being left behind?
On Saturday night, I had the privilege of going to see Sydney University Dramatic Society’s (SUDS) production of The Complete…
Are you a loud gay or a quiet gay? This is the question that 2024’s Queer Revue dares not to…
While the classic question of the whodunnit is, as the name suggests, ‘who did it?’, Let’s Kill Agatha Christie instead…