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Photography

Features, Profiles //

USyd to Ukraine, Redfern to Rwanda, JFR to Jalalabad

What makes two documentary artists leave Sydney for the frontlines of war time and time again, and how do they make art out of destruction?

October 17, 2022 Thomas Sargeant and Amelia Koen
Art, University //

USyd through Dupain’s lens – 70 years on

The photographs that captured the University.

April 10, 2022 Thomas Sargeant
Art, Profiles //

Atong Atem — Decolonial Sci-Fi and the power of portraiture

Honi sits down with the inaugural winner of the La Prairie Art Award, Atong Atem.

March 19, 2022 Amelia Koen and Thomas Sargeant
Misc //

Goodbye, Neighbour — An Ode to Rewind Photo Lab

The Lab is relocating, but will it ever be the same?

November 1, 2021 Robert Hoang
Culture //

Camera buff or: How I learned to stop worrying and love the lens

Capturing the importance of images.

May 16, 2021 Harry Gay
Culture //

Liminal Heights: representations of presencing in filmic adaptations of Wuthering Heights

Photography and film have been intrinsically tied to abstract notions of presencing and the supernatural since their inception.

May 9, 2021 Harry Gay
Creative //

The crisis that was

Capturing the aftermath of 2020's first catastrophe on a rural NSW town.

August 24, 2020 Thomas Sargeant
Creative //

Do photos replace memories?

"Why do we have this urge to preserve memory through photos?"

March 16, 2020 Claire Ollivain
News //

In pictures: Invasion Day 2019

Chants of “always was, always will be, Aboriginal land” resounded through Gadigal land as tens of thousands attended 2019’s Invasion Day rally in Sydney.

January 26, 2019 Alan Zheng, Annie Zhang and Liam Thorne
Culture // SCA Spotlight

SAARA138: After Image

Memory and permanence in SAARA138's photographic textiles.

March 20, 2018 Soo-Min Shim

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Copyright Honi Soit 2018.