Patrick Morrow and Dr. Mark Byron had detention outside

Charlie O’Grady watched some men punch each other for a bit.

A white male of above average intelligence attempts to impose important truths on the world through convoluted conversations with his straight-laced alternative girlfriend and his well-adjusted but perhaps emotionally stunted best friend, all the while battling mental deterioration. Add the heavy-handed metaphor of a climatologist with anxiety disorder and you’ve got a show you’ve probably…

Writer Ian Meadows wants us to know we’re all going to die. Between Two Waves, directed by Jack Ballhausen for SUDS, rings all the alarm bells, and in all the right ways. In this production, climate change and personal drama collide in a flurry of frustration and tension. Angela Colins and Kurt Dilweg A: Charlie Falkner…

Phoebe Adler-Ryan hopes to be so fearless

Like the following appellation, SUDS’s Zach Beavon-Collin’s William Shakespeare’s Richard is too long. It takes a significantly edited-down Richard III (don’t wait up for the horse bit), and inserts the final part of Henry VI, Part III. As explained in the program notes, the intent is to give necessary background on the history and politics…

(Eds note: This review contains brief, aesthetic criticism of a representation of self-harm.) Student theatre necessitates a degree of innovation. Tight budgets, a lack of resources and a limitation on available spaces creates a perfect breeding ground for invention. However, even when actors and directors are forced into back rooms, cafés, street corners, or Studio…

“I’m a good person. Isn’t that enough?” Falling neatly into place in a SUDS summer season of innovation and experiment, When Good Men Do Nothing made me very uncomfortable. It also made me laugh. Sophia Roberts and Clemence Williams, working as writer and director respectively, have brought us a script and a staging for it…