While the play showcased the devastating realities of terminal illness, it ultimately highlighted how ‘wit’ can instil a sense of determination in desperate times.
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Despite its overwrought premise, director Jane Angharad manages to bring out the play’s more subtle themes through the intimacy she develops between the characters and the audience.
“We’re not invisible, we don’t want to be criminals, we’re just kids.”
Yangoyan is particularly affecting as AJ, masterfully showcasing the character’s initial boyishness and naivety, and then his eventual brokenness.
History is a silent corpse that sits by the wayside of our times. It lies unannounced, whisked in its funeral…
What do you get when you mix two best friends, shitty boyfriends, and an electric blue Ford Falcon? According to Girls in Boys’ Cars, a road trip of a lifetime.
Four Flat Whites in Italy is a comedic play with many lighthearted left-wing political jokes, telling looks and amusing actions from the characters.
The Disappearance is a moving and touching play that addresses mental health and diversity with grace and sensitivity.
An earnest and thought-provoking production that grapples with the complex emotions surrounding grief and personal loss.
Whether you’ve listened to the cast recording or never heard a moment of it before, this version of Wicked manages to feel new and exciting. Between the wonderful cast, enchanting effects, and well-timed pacing, Wicked offers audiences a truly magical night at the theatre.