International House has been home to over 6,000 students since it opened in the 1960s, and is a hallmark of modernist architecture at USyd. So why is it closing?

“It’s worse than prison – this place is designed to break you.”

What makes two documentary artists leave Sydney for the frontlines of war time and time again, and how do they make art out of destruction?

In the wake of the most recent NSSS, and with the issue of student safety once again on the agenda, how do we avoid the same mistakes? What do we change when nothing changes?

Existing simultaneously at the fringes of Australia’s media industry and at the heart of campus culture within universities, there is a lot that student journalism can teach us about democratising our media landscape.

It's important that we push towards a broader academic democracy — one where the people whose lives hang in the balance of university decision-making get the most say in how universities are run.

We can’t afford to let staff-student solidarity die.

A collaboration between Honi Soit and The Power Institute. Facillitated by Nick Croggon, Ann Stephen, Stephen Gilchrist and Maya Stocks with Thomas Sargeant and Amelia Koen.

If we do not invest in our writers, only those with the time, resources, and security to invest in themselves will be able to write.

The continued colonial occupation of Western Sahara is rife with state-sanctioned human rights abuses, brutality, and ethnic cleansing. Still, within the state, resistance thrives.