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Reviews

Reviews //

Blue: grief, pain, loss, and love

Thomas Weatherall’s writing and theatrical debut is heartbreaking, passionate and devastating.

January 27, 2023 Bipasha Chakraborty and Rahi Chapatwala
Reviews //

Get Fucked, Or Die Trying (To Give A Fuck)

How many fucks can someone give?

January 11, 2023 Christine Lai
Culture, Reviews //

2022 in Film: The Highs and The Lows

From the ever-expanding multiverse to Gen-Z themed horror, this is a reflection on the year that was.

December 9, 2022 Isabella Freeland
Reviews //

Hard edge, SOFT CENTRE

Sydney’s premier experimental music festival evolves, expands, and unfurls.

December 6, 2022 Thomas Sargeant and Amelia Koen
Art, Reviews //

First look: Sydney Modern

A new addition to the Art Gallery of NSW, filled with an array of stunning artworks, will be available to the public this Saturday.

December 2, 2022 Ellie Stephenson
Reviews //

Review: Being over 6ft

God, it's great.

November 30, 2022 Sam Randle
Reviews //

SUDS Major 2022: ‘Everynight’ — Bottled dreams, what could go wrong?

Dreams? Captured. Corporations? Stealing. Grief? Puzzling. Puppets? Puppets.

November 4, 2022 Olivia Croker
Reviews //

Review: One Hour No Oil

Emotions are revealed in light, sound and wonderful acting in this moving new play.

November 2, 2022 Nicholas Osiowy
Reviews //

‘Blood is thicker than olive oil’: The Italians Review

The Italians is both grounded and surreal in presenting the Italo-Australian Sydney diaspora.

November 1, 2022 Charlie Lancaster
Books, Reviews //

Growing pains

Thoughts on Natalia Ginzburg’s All Our Yesterdays.

November 1, 2022 Eamonn Murphy

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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