Building off their foremothers such as Margaret Atwood, Angela Carter, and Isabel Allende, many contemporary feminist authors use this specific brand of magical realism to explore the delusional, dream-like landscapes long thought to be the mind of a woman.
By adding subscriptions, paywalls, and financial competition to fanfiction, writers are starting to follow the tropes and guessable formulas to make their fanfiction more successful and algorithmically popular.
It is freeing to have an exhibition admit that maybe we don’t know the full story behind why objects were made, but that doesn’t mean we can’t appreciate the impact it had along the way.
In some places, the figurative rock face of this history is clear of detritus: we can see before us in striking detail the confusing muddle that is people living upon people living upon people — and so on until the dawn of time, or at least human habitation.
Historical films that don’t focus on individuals may be harder to make, and traditional Hollywood formulas of stardom may collapse, but what emerges will be liberating.
Headphones are synonymous with personal identity, outfit styling and the new wave of user experiences. They serve as a functional and stylistic elevation to any outfit, and Pinterest boards are infiltrated with street wear statements and nonchalant headphone appearances.
The Harp in the South tells the story of a forgotten part of Sydney and the people who were left behind when the country was supposedly marching forwards.
As we ponder if Barbenheimer and anything post-Barbenheimer can truly live up to months worth of hype and marketing, it can be said with conviction that the journey to these two films remain unmatched by any previous cultural phenomenon.