The exhibition at SCASS Backspace honours queer community and liberation, running until 30 June on Level 3 of Wentworth.

Future Art is stuck in the past.

Experimental, intimidating and provocative, SOFT CENTRE was everything that I could hope for from Sydney’s cultural scene.

Sydney Dance Company returns to Walsh Bay to deliver a shimmering rendition of Raphael Bonachela’s 2018 creation, ab [intra].

Although being critically informed about the socio-political world is undeniably an admirable trait, Reid critiques the way ‘wokeness’ is weaponised to belittle others and secure a moral high ground.

"You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it…”

The Melbourne/Naarm-based experimental-electronic artist recently played two sold-out solo shows at Phoenix Central Park.

Heartstopper replaces the seriousness of so much queer media with a childlike optimism; the message that queer youth, like their straight counterparts, are allowed to be children.

The Carillon is a suitable metaphor for our complex society. When it plays, dozens of bells of diverse weights interact, and their many partial notes and eternal decay causes them to collide.

Happy First Monday in May to those that observe! The Met Costume Institute’s Met Gala returned this year with the theme ‘Gilded Glamour’, posed by Anna Wintour to celebrate the opening of Andrew Bolton’s exhibition, In America: An Anthology of Fashion. ‘Gilded Glamour’ is the second part to 2021’s ‘American Independence’, and stirred fervent anticipation…