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Culture

Culture, Reviews //

2022 in Film: The Highs and The Lows

From the ever-expanding multiverse to Gen-Z themed horror, this is a reflection on the year that was.

December 9, 2022 Isabella Freeland
Culture, Music //

Raving, club nights and music culture: does Sydney’s nightlife really suck?

In conversation with artists and organisers from Sydney’s rave and dance music scenes.

November 1, 2022 Tiger Perkins
Books, Reviews //

Growing pains

Thoughts on Natalia Ginzburg’s All Our Yesterdays.

November 1, 2022 Eamonn Murphy
Culture, Music //

9/11, the death of country music and the beginnings of a revival

From union hymns to neoconservatism, country’s political history is turbulent but profound.

October 31, 2022 Charlie Lancaster and Henry Junor
Culture //

Current affairs: celebrity infidelity as news

On the nature of celebrity scandals, relationships and why we care.

October 21, 2022 Nicola Brayan
Culture, Film //

Have we seen the last of Tropfest?

A look back at the Big Day Out of film festivals.

October 10, 2022 Zander Czerwaniw
Culture, Queer Honi 2022 //

Transylvanians and creatures of the night

The queer community resurrected Rocky Horror and maintains its relevancy today.

October 4, 2022 Katarina Butler
Culture //

Bad Bitch, I’m the Bar

Sydney’s Ballroom Culture and Beyonce’s Renaissance

October 3, 2022 Bipasha Chakraborty
Culture //

Smart, sexy, and very Sydney

No nostalgia trip, Heartbreak High’s 2022 reboot is diverse, progressive, and very much of the now.

September 12, 2022 Zara Zadro and Thomas Sargeant
Culture //

What the 1891 Shearers’ can teach us about USyd staff strikes

The shearers of 1891 show us the immense and unprecedented positive impacts that can emerge from industrial action; who knows where victories in modern battles for workers’ rights like the NTEU’s – and subsequently the rights of ordinary people across Australia – will lead us?

September 11, 2022 Aidan Elwig Pollock

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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