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Reagan Scott Ward

Multilingual //

Séasúr na Báistí

Lowly kings of a rainy country

November 1, 2019 Reagan Scott Ward
The poster for the Rudeboy film
Reviews // SUFF

SUFF 2019 Review: Rudeboy: The Story of Trojan Records

Rudeboy dives deep on the history of one of Britain's most iconic record labels

September 15, 2019 Reagan Scott Ward
Two people hold hands and look at each other.
Reviews // Student Theatre

Review: Venus in Fur

Supported by the USU Bright Ideas program, Venus in Fur is a bold independent theatre experience

April 13, 2019 Reagan Scott Ward
Clive Palmer giving thumbs up
Reviews //

Review: The Humble Meme Merchant: The Adventures of Clive Palmer

Clive Palmer's latest game is the ultimate caricature of Australian populism

February 28, 2019 Reagan Scott Ward
Perspective // Hometowns

Brick and mortar: revisiting homes and hometowns

We asked writers to dig up old memorabilia by trawling through old boxes and houses. Here's what they found.

October 16, 2017 Baopu He, Reagan Scott Ward, Jamie Weiss, Joseph Verity, Grace Franki, Brendan James O'Shea, Jess Zlotnick, Karishma Luthria, Michael Sun and Cameron Gooley
Perspective // International

History says don’t hope

Ireland’s past borns the nation’s ongoing sense of struggle

September 12, 2017 Reagan Scott Ward

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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