“New York was the only city really worth talking about, it seemed, yet if you’d read her essays or seen any assortment of her video works, you’d find the same sentiments without the substantial Opera House surcharge.”
Browsing: Reviews
As the Year of the Wood Dragon comes to the fore, this exhibition is a refreshing departure from the archetypal divine power embodied by the creature and family politics traditionally associated with Lunar New Year festivities.
The recent Sydney University Dramatic Society (SUDS) production of Rolleo and Juliet is an acerbic and witty romp through romance,…
Set in New York in 1968, Plaza Suite explores the reality that love, and relationships are always in stasis and…
Commenting on the play, director Lee Lewis said, “Tiny Beautiful Things is about every person on the planet and every…
Is there a correct way to depict evil on screen? Is the omission of violence just as impactful as visibility?
“We’re not invisible, we don’t want to be criminals, we’re just kids.”
Set in early 20th century Sydney, Chloe Lethlean Higson’s The Strong Charmion is a testament to the emerging tendency of…
Yangoyan is particularly affecting as AJ, masterfully showcasing the character’s initial boyishness and naivety, and then his eventual brokenness.
MILK’s end is a reminder of the constant labour undertaken in the creative scene to ensure its extra-institutional survival.