REPULSE showcased an all femme and non-binary lineup of artists and bands- and it’s time that major festivals follow suit.
Browsing: Reviews
To indulge in a story that does not abuse — hyperbolise or appropriate — mysticism was exciting, sparking hope within me that perhaps it is still possible for the beauty of cultural practices to be conveyed to audiences unfamiliar with different ways of living and believing.
In narrowing the focus of a broad issue to a local football field, Guillard strips back a complex issue, showcasing the ways in which people can be united and find belonging through sport.
Simon epitomises one of the most insidious types of men; their need for control festers quietly when left unaddressed, posing a significant danger to women. He doesn’t love Ariane, he yearns to control her.
Light Years so beautifully displays Cotton’s adoration for light, nature, and freedom through its cinematography, orchestration, and narration, carefully directed by Kathryn Millard.
Tracing the lives of a brother and sister, the plot of Tidelines has a clear destination, with every incident pointing us in that direction.
The multifaceted nature of betrayal is on display; the betrayal of fathers, betrayal by people smugglers, and ultimately, the betrayal of the Palestinian people by Arab leaders.
Mitchell Leisen’s film Midnight (1939) is a battle-of-the-sexes rom-com which features fun plot-twists and identity reversals, making it a staple of the screwball comedy genre.
The film is harrowing and at times difficult to watch. But it is also breathtakingly beautiful, showcasing Garrone’s ability to balance harsh realities with mesmerising cinema.
You, your best friends, your friend’s boyfriend, your Hinge matches, your new and old coworkers, your former stepbrother, your uni…