Mitchell Leisen’s film Midnight (1939) is a battle-of-the-sexes rom-com which features fun plot-twists and identity reversals, making it a staple of the screwball comedy genre.
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The film is harrowing and at times difficult to watch. But it is also breathtakingly beautiful, showcasing Garrone’s ability to balance harsh realities with mesmerising cinema.
You, your best friends, your friend’s boyfriend, your Hinge matches, your new and old coworkers, your former stepbrother, your uni…
It is no easy feat stepping into the ever-expanding Australian fiction scene. Milligan did so with an intriguing premise that draws upon her extensive knowledge of crime, knowing that she will inevitably be perceived as a journalist-turned-author.
The film succeeds in creating a 1970s atmosphere as the Cairnes’ keep the nostalgia alive through its grainy camera effects, retro graphics, costumes and set design.
The installation is dynamic and transportational, wrapping the viewer in layers of story and culture. It speaks to the breadth and depth of Pacific experience, offering just a glimpse of what it means to identify as Tagata Moana.
Throughout this documentary, Hiam Abbass is not a celebrity or an actress. She is a daughter, sister and mother, amongst her family.
Hosted by the Autonomous Collective Against Racism (ACAR) and BDS Youth, a screening of Ana Nogueira and Eron Davidson’s Roadmap…
Gondry delves into the anatomy of the creative mind, from the highs of an inspiration “flow” to the depths of rejection and inadequacy.
If someone were to ask me what Wim Wenders’ latest film Perfect Days is about, I would have a hard…