Miller and director Serhat Caradee have formulated a play that pulses like raw nerves, an entangled knot of vulnerability, curiosity, fear, honesty, insecurity, and youth.
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Joan and Marie journey through the literary, the historical, the folkloric, and the absurd. The play explores the relationship between two women, yes, but also the worlds that surround them.
Anton Chekov’s 1897 play Uncle Vanya has found newfound popularity as of late, with several large scale productions adapted for…
In a way, we were plunged into a boys’ “locker room”, emphasising how the male private-school debating culture fosters a fever of sexism and misogyny that parallels or even outweighs other cultures, such as sports.
This play is a powerful and realistic depiction of not just growing up gay but of getting older gay. The haunting sadness of having infinitely more knowledge than you once had- and the constant burning wish that you could go back in time and be a better friend, a better partner, a better confidant.
The play was an inviting and necessary series of vignettes on the transition from girlhood to womanhood, largely communicated in monologues or dialogues.
Through the use of 50’s style music, and utilising a few of the actors chatting on stage while the audience was finding their seats, an enticing ambience and foundation for the rest of the show was set.
A mild-mannered comedy of manners with the occasional flash of sizzling hilarity
Harry Potter and the Cursed Child delivers a magical experience, despite some missteps
Gripping, tense, and powerful.
