Villeneuve films Narwal’s past as if her pain is raw: no detail is spared from the blinding sun’s glare, or the glow of burning flesh. ‘Incendies’, French for ‘scorched’, becomes a motif of reignited family ties and inextinguishable trauma.
Browsing: review
This was what made him such a compelling figure for an autobiographical play; without this abundant zest for life, he could not have carried off such an intense and intimate performance.
When Macbeth cried “Sleep no more!”, I doubt he was aware of how little sleep his story would get in…
Misa’s performance art is not exclusively catered to intellectuals and critics: it is for the people.
The latest production of Sydney University Dramatic Society (SUDS) gave us Deathwatch — a friction filled absurdist tale of a struggle for power, provoked sexuality and the brutal consequences of jealousy.
Gentle bubbling of broth boiling. Dull thuds of a knife hitting wood. Soft ringing as a ladle scrapes the edges…
Entering Seymour Centre’s Reginald Theatre for the opening night of A Case for the Existence of God, we are greeted…
REPULSE showcased an all femme and non-binary lineup of artists and bands- and it’s time that major festivals follow suit.
Tracing the lives of a brother and sister, the plot of Tidelines has a clear destination, with every incident pointing us in that direction.
If someone were to ask me what Wim Wenders’ latest film Perfect Days is about, I would have a hard…