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Carriageworks

News //

University of Sydney enters fight for development space at North Eveleigh

The University believes their presence is essential to the success of the precinct.

November 30, 2022 Roisin Murphy
Art, Reviews //

Sydney Contemporary takes over Carriageworks

Today, the largest art fair in Australasia returns to Carriageworks for its first in-person showing since 2019 — what’s in it for students?

September 8, 2022 Thomas Sargeant and Amelia Koen
Culture, Reviews //

SOFT CENTRE: Prowling Aliens, Virtual Reality and Screamo

Experimental, intimidating and provocative, SOFT CENTRE was everything that I could hope for from Sydney’s cultural scene.

June 8, 2022 Thomas Sargeant
Culture //

Vignettes of Wilson Street

Charting political memory on an ever-changing street.

August 31, 2021 Claire Ollivain
Culture //

Memories from Carriageworks

Paying our respects to an iconic venue. Save Carriageworks!

May 19, 2020 Honi Soit
Culture //

More or ‘Less’ uncertain: Andrew Sean Greer on changing queer identities

We sit down with Pulitzer Prize winning novelist and writer

May 5, 2019 Deaundre Espejo and Jeffrey Khoo
Culture //

The perverted joy of noise music

Chuyi Wang cuts through the static.

October 16, 2018 Chuyi Wang
Culture, Profiles // SWF

‘Every good writer has to be bisexual’: Christos Tsiolkas on the art of fiction

One of Australia’s most acclaimed authors reflects on his craft.

May 1, 2018 Pola Fanous
Culture //

Sydney Writers’ Festival presents John Darnielle: Wolf in White Van

John Darnielle is considered one of the greatest living songwriters. Louisa Studman explores his move from song to narrative.

February 26, 2015 Louisa Studman

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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