Sydney’s premier experimental music festival evolves, expands, and unfurls.

How podcast hosts Archie Wierum and Fynn Ferdinands built a bridge of connection between rising artists and newfound audiences

We danced, we laughed, we cried; we were transported away from inner-city Sydney’s claustrophobia to endless empty highways, tangled stringybark, and savannah grass of outback Australia.

Elsy Wameyo took advantage of the intimate space with a set that showcased her impressive range, from a slower Swahili-language track to the rave-ready heights of ‘River Nile’.

The Cronulla-based band rocked Waywards on Saturday for the final show of their ‘Reflections’ single launch tour.

The blueprint for a community-led festival already exists in the way Splendour patrons interact with each other. Perhaps it’s time we wave goodbye to the profit-minded model of Australian festivals, and move towards one which cares for the people who attend them. And, more urgently, one which cares for the land they inhabit.

The rising star brought his ‘Rave & Roses’ world tour to Sydney with an intense and electrifying set.

More than smoke and mirrors, Dark Mofo proves that public art should have a soul.

Experimental, intimidating and provocative, SOFT CENTRE was everything that I could hope for from Sydney’s cultural scene.

The Melbourne/Naarm-based experimental-electronic artist recently played two sold-out solo shows at Phoenix Central Park.