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theatre

Reviews //

Killing Mr. Barber — Review

The multifaceted nature of all-boys school toxicity is unwound in this witty and insightful one man play.

September 4, 2022 Fergus Berney-Gibson
Reviews //

Tom at the Farm — A psychosexual thriller on stage

Director Danny Ball’s morality play explores violence, queer identity and abuse on a rural farm.

September 2, 2022 Eleanor Douglas
Culture, Stage //

Bury Them!

Queers, Death and the responsibility of representation.

May 3, 2022 Jacob Parker
Reviews //

Review: ‘Maa Ki Rasoi’ (My Mother’s Kitchen)

Writer and Director Pratha Nagpal weaves images of goddesses and magic for the audience, marvelling at the power women of colour wield in the kitchen.

February 27, 2022 Danny Cabubas
Reviews //

Review: Belvoir St Theatre’s ‘At What Cost’

At What Cost is a powerful reminder of how Indigenous creative works can decolonise your mind.

February 27, 2022 Sam Randle
News //

Seymour Centre wins $500,000 government grant

At this time, the Seymour Centre does not have plans to include student productions as part of the grant.

August 5, 2021 Amelia Koen
Interviews, Profiles //

In conversation with Simon Clews on The New Academic and weathering the winds of change

On the academic epidemic.

May 30, 2021 Shania O'Brien
Reviews //

‘I had flushed with anger’: A Room of One’s Own, back by popular demand

The theatre adaptation of Woolf's book has renewed relevance amid the government's gender crisis.

May 12, 2021 Felicity Macourt
Reviews //

Review: Stop Girl

An impressive debut for Belvoir St Theatre's latest production.

March 28, 2021 Roisin Murphy
Reviews //

Review: SUDS’ The Pillowman

SUDS' latest production explores the complexities of storytelling and childhood trauma.

March 19, 2021 Shania O'Brien

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