With the release of Puan (2024), co-directed with María Alché, Honi Soit sat down to ask Naishtat about comedy, time, existentialism, and their place in the ever-growing and perplexing canon of New Argentine Cinema.
Author: Huw Bradshaw
Puan (2023) is a swing and a miss for two of Argentina’s biggest young directors.
Campers are enduring the muddy lawns on the quad, while management has instructed that they are not permitted to pitch tents on wooden pallets.
To members of the Sydney Push, “demonstrating in the streets or organising for political action was regarded as succumbing to illusions.”
Over the last five years, but more than ever in the last few months, I have heard such a phrase…
If we want to stand with the Ukrainian people under attack and the Russians protesting this invasion, our actions need to be meaningful and directed rather than a renewal of McCarthyism.
On the wild world of music tabs.