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dance

Queer Honi 2022 //

Rehearsing gender: The Australian commercial dance industry and its commitment to gender roles

The dance industry is often conceptualised as an intimate, interconnected, and liberal space.

October 5, 2022 Talia Meli
Campus, Reviews //

Review: MADSOC’s 2022 major production — Elemental X Purgatory

The monumental, doubled-billed production is on at the Seymour Centre until Sep 17.

September 16, 2022 Amelia Koen
Reviews //

Review: USU Pride Fest — Performing Arts Showcase

The showcase was one of several events in the USU's annual Pride Festival.

September 1, 2021 Amelia Koen
Perspective, Women's Honi 2021 //

The dance industry in Australia: expelling the myth of harmlessness

Exploring the harmful culture of child sexualisation and cultural appropriation in the Australian Dance Industry.

August 19, 2021 Talia Meli
Culture, Reviews //

Review: In The Zone

In conversation with Libby Montilla, the performer of Seymour Centre's most recent production.

September 21, 2020 Alice Stafford
Features //

In Conversation with Buff Correll

An interview with one of Youtube's most energetic stars.

March 3, 2020 Chuyi Wang
Culture //

Competitive dancing needs a revolution

The art of dancing could do with a return to form

October 17, 2018 Marcus Lee
Reviews // MADSOC

Review: MADSOC’s ‘Chronos’

An evening that went just like clockwork.

August 9, 2018 Prudence Wilkins-Wheat
Sport // Dance

Dancing in the dark with No Lights, No Lycra

The community dance craze is the perfect pre-exam stress reliever

June 5, 2018 Vaidehi Mahapatra
Culture // MADSOC

MADSOC’s Kinetica is compelling and experimental

A fusion of dance and science yields magical results.

August 27, 2017 Janek Drevikovsky

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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