Katie Davern takes milk with no sugar
Emma Balfour saw a pretentious French play and it wasn’t awful
Glittoris defiles the fat, white corpse of Christopher Hitchens, writes Angela Collins
Charlie O’Grady sampled the play on tap at The Exchange Hotel
Charlie O’Grady watched some men punch each other for a bit.
Writer Ian Meadows wants us to know we’re all going to die. Between Two Waves, directed by Jack Ballhausen for SUDS, rings all the alarm bells, and in all the right ways. In this production, climate change and personal drama collide in a flurry of frustration and tension. Angela Colins and Kurt Dilweg A: Charlie Falkner…
Phoebe Adler-Ryan hopes to be so fearless
Like the following appellation, SUDS’s Zach Beavon-Collin’s William Shakespeare’s Richard is too long. It takes a significantly edited-down Richard III (don’t wait up for the horse bit), and inserts the final part of Henry VI, Part III. As explained in the program notes, the intent is to give necessary background on the history and politics…
(Eds note: This review contains brief, aesthetic criticism of a representation of self-harm.) Student theatre necessitates a degree of innovation. Tight budgets, a lack of resources and a limitation on available spaces creates a perfect breeding ground for invention. However, even when actors and directors are forced into back rooms, cafés, street corners, or Studio…
Charlie O’Grady reviews SUDS’ Double Feature ‘Black Comedy’/’The Real Inspector Hound’.