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art history

Features //

Art in Place #1 — Students respond to D Harding’s ‘Spine’

A collaboration between Honi Soit and The Power Institute. Facillitated by Nick Croggon, Ann Stephen, Stephen Gilchrist and Maya Stocks with Thomas Sargeant and Amelia Koen.

August 22, 2022 Amelia Koen, Thomas Sargeant and Art in Place Workshop
Editorials //

Editorial: Week 2, Semester 1

“if silence equals death, he taught us, then art equals language equals life.”

March 2, 2022 Thomas Sargeant
Art, Culture //

Adopting a Disabled Lens in Art History

Highlighting disability in historical artists and art history.

October 29, 2021 Sarah Korte
Culture //

Hannah Höch: cut with the kitchen knife through the patriarchy

Exploring the German artist's contributions to Dada.

April 25, 2021 Isabella Nicoletti
Culture //

Impressionism: An intercontinental response to modernity

How an art movement became global.

April 12, 2021 Amelia Koen
Analysis // Art

The revival of still life

Explore the nuances of this humble art form

October 21, 2019 Donnalyn Xu
News // Art History

500 year old Renaissance sketch found in USyd’s Rare Book Collection

The piece is said to be one of only three pieces confirmed to be in Giorgione's hand.

March 7, 2019 Nell O'Grady
Culture //

The Picasso piece and the gift that keeps on giving

The curious link between an American, a Picasso piece and $20m

November 29, 2018 Momoko Metham
Light brown wooden desk surface, graffiti inscribed with ballpoint pen, umbrella and writing 'okay' and 'rocks'
Culture //

Intergenerational drawfare

It's art, not graffiti.

March 27, 2018 James Sherriff
Culture //

But it’s art!

Maddy Ward thinks we should be critical of everything

May 23, 2017 Maddy Ward

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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