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art

Features, Profiles //

USyd to Ukraine, Redfern to Rwanda, JFR to Jalalabad

What makes two documentary artists leave Sydney for the frontlines of war time and time again, and how do they make art out of destruction?

October 17, 2022 Thomas Sargeant and Amelia Koen
Analysis //

Instagrammable Art: Is it enhancing or detracting from the gallery experience?

On art galleries and how they appear digitally.

September 11, 2022 Alexandra Dent
Culture, Perspective //

Experiencing beauty as radical ecology: On Timothy Morton

The beauty and surrender we feel through art might energise futures of nonviolent coexistence with nonhumans and their environments.

August 1, 2022 Zara Zadro
Art, Culture //

A love letter to Love Letters to the Horizon

The exhibition at SCASS Backspace honours queer community and liberation, running until 30 June on Level 3 of Wentworth.

June 21, 2022 Alana Ramshaw
Art, Culture //

2022 Archibald, Wynne and Sulman Prizes: life and colour

The winner of the 2022 Archibald Prize will be announced this Friday 13 May, with the exhibition opening to the public the following day.

May 11, 2022 Thomas Sargeant and Amelia Koen
Art, University //

The Tin Sheds – An Incomplete History

Delving into the activist history of the Tin Sheds Gallery and the 1970s-80s art collectives of USyd.

April 4, 2022 Grace Mitchell
Features //

The art of campus & the campus of art

Investigating the mysterious myriad of artworks at the University of Sydney and questioning who put them there.

April 4, 2022 Amelia Koen
Art, Profiles //

Atong Atem — Decolonial Sci-Fi and the power of portraiture

Honi sits down with the inaugural winner of the La Prairie Art Award, Atong Atem.

March 19, 2022 Amelia Koen and Thomas Sargeant
Reviews //

Review: The Way We Eat, exhibition at the AGNSW

The Way We Eat is a provocative exploration of the inspiring pleasures, angst, and centrality of food in our lives

February 27, 2022 Angelique Minas
Culture //

Conversations with Strangers

George Campbell and Toni Whitcombe examine the art that surrounds us.

February 21, 2022 George Campbell and Toni Whitcombe

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