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SWF

Reviews //

On writers’ festivals

The beautiful absurdity of writers’ festivals.

May 4, 2021 Juliette Marchant
Interviews //

Ghost Species: In Conversation with James Bradley

James Bradley on the power of speculation in storytelling, for our Sydney Writers' Festival coverage.

April 26, 2021 Leo Su
Culture //

A Dangerous Time to Tell the Truth

Battered and bruised, the pursuit for truth nonetheless lives on in modern day journalism.

May 16, 2019 Anh Nguyen
Culture // 2019 Sydney Writers Festival

Lie to Me: An Evening of Storytelling

Politics is at the heart of this discussion on truth and lies in our society

May 8, 2019 Iris Zeng
Culture //

More or ‘Less’ uncertain: Andrew Sean Greer on changing queer identities

We sit down with Pulitzer Prize winning novelist and writer

May 5, 2019 Deaundre Espejo and Jeffrey Khoo
Fatima Bhutto, Roanna Gonsalves and Elaine Castillo
Reviews // Sydney Writers' Festival

Review: Know Your Place — The Politics of Identity at Sydney Writers’ Festival

Three authors discuss the questions around identity faced by writers of colour

May 4, 2019 Rhea Cai
Reviews // Sydney Writers' Festival

Review: Behrouz Boochani’s No Friend but the Mountains at Sydney Writers’ Festival

Boochani, appearing via Skype, proved a heartwarming yet humorous voice on the situation on Manus Island

May 4, 2019 Ranuka Tandan
Culture, Profiles // SWF

Emily Wilson on translating the Odyssey

Emily Wilson, Professor of Classical Studies at the University of Pennsylvania, speaks on bringing a female perspective to the Odyssey

May 14, 2018 Sasha Veber
Culture, Profiles // SWF

The radical empathy of Min Jin Lee

The Pachinko author on Zainichi, the role of women in historical fiction and how trauma is passed down through generations

May 9, 2018 Jacinta Keast
Culture, Profiles // SWF

Jennifer Egan on following her instincts

Pulitzer Prize-winning author of ‘A Visit From the Goon Squad’, Jennifer Egan, reflects on her writing process. 

May 6, 2018 Georgia Tan

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

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