The Suspect (1944) deservedly attains a prominent place among the cinematic classics. It not only portrays the maniacal streak of the human mind, but also interrogates the fear which accompanies our deep-rooted desires.
Browsing: Reviews
While impossible to avoid projecting contemporary polarisation and the upcoming election, the film’s greatest strength is the hyper-realistic depiction of America at war and the nature of modern total war itself.
From having insightful interviews with some of the original cast to exploring the Scottish Isles, Nancy Franklin uncovers the lost beauties of this timeless film.
The latest production of Sydney University Dramatic Society (SUDS) gave us Deathwatch — a friction filled absurdist tale of a struggle for power, provoked sexuality and the brutal consequences of jealousy.
Harnessing the earthly magic and natural elements of the African Sub Saharan landscape, Cissé borrows the mythic legends of Malian folklore and transcribes it effortlessly onto the celluloid of 35mm film.
Gentle bubbling of broth boiling. Dull thuds of a knife hitting wood. Soft ringing as a ladle scrapes the edges…
How Deep is the Ocean (2023) is ultimately a fast-paced and engaging film without being too complex in its execution.
The gig combined live underground music with onstage interviews to introduce the future of the Eora music scene and celebrate the podcast’s second birthday.
The multi-award-winning author Jones spoke for over an hour to the large crowd about her latest work, its influences, her writing process, and her journey as a novelist.
The Golden Coach holds an interesting place in Renoir’s body of work. It was his second film in colour and the first of his films to represent a departure from his more naturalistic style, yet it retains the director’s thematic depth, visual artistry, and humanist sensibilities.
