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Honi Soit

News //

Queer Honi Speakout: “This wasn’t an isolated incident”

“When we speak to the defilement that has been committed against Queer Honi and queer people, we could speak to the front cover, to a queer body emblazoned on the front, with the symbolism and the history that represents not only our joy, but also survival, and also protest, and systemic violence.”

May 26, 2023 Bipasha Chakraborty
Uncategorized //

Behind the news: How does Honi Soit end up on stands?

“There’s just this sort of expectation that surely it’s going to die soon, but actually, community newspapers are thriving, and so is Honi.”

November 1, 2022 Ellie Stephenson
Reviews //

Review: Writing for Honi

Ultimately, the role of the Honi contributor is to generate dopamine.

October 29, 2022 James Frederiksen
Features, Profiles //

USyd to Ukraine, Redfern to Rwanda, JFR to Jalalabad

What makes two documentary artists leave Sydney for the frontlines of war time and time again, and how do they make art out of destruction?

October 17, 2022 Thomas Sargeant and Amelia Koen
Editorials //

Editorial: Honi remembers Queen Elizabeth II

Honi soit qui mal y pense. Shame upon he who thinks evil of it.

September 13, 2022 Honi Soit
Column, Opinion //

Michael Spence Column for Disagreeing Well: Responsible platform moderation is not the same as censorship

If you actually care about facilitating a “civil discussion” you’ll stop acting like publishing uninformed, right-wing takes are the way to do that.

August 15, 2022 Carmeli Argana
University //

Read all about it: Scandal in the student paper

Pranks gone wrong, electoral fraud, and drunken misadventure. 20th century USyd at its finest.

April 11, 2022 Marlow Hurst and Ariana Haghighi
University //

Finding ‘Miss University’

On USyd's forgotten beauty pageant.

April 3, 2022 Ellie Stephenson
Perspective //

What’s in an Honi editor?

To Bloom, and the paper we love so dearly.

November 30, 2021 Vivienne Guo
Perspective //

On not writing for Honi

On feeling paralysed by possibility and romanticising writing.

November 16, 2021 Kian Rippon

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We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to be a counterpoint to the racism that plagues the mainstream media.

Copyright Honi Soit 2018.